1508-1575
Flemish
Pieter Aertsen Galleries
Dutch painter and draughtsman, active also in the southern Netherlands. He probably trained in his native Amsterdam but early on moved to Antwerp, where he enrolled in the Guild of St Luke as a master in 1535. In 1542 he was granted citizenship of the city. Among his pupils in Antwerp were Johannes Stradanus and later Joachim Beuckelaer, a cousin of the artist wife and his most loyal follower. The earliest known work by Aertsen is a triptych with the Crucifixion (c. 1545-6; Antwerp, Maagdenhuismus.) for the van den Biest Almshouse in Antwerp. From 1550 Aertsen development can be traced through a large number of signed and dated paintings. Religious works, mostly intended for churches, must have formed an important part of Aertsen output. His early paintings seem to have been strongly influenced by other Antwerp artists, as can be seen in the van den Biest triptych, where the figures are close to those in Jan Sanders van Hemessen background scenes. Van Hemessen influence is also strong in the pair of triptychs showing the Seven Sorrows of the Virgin and the Seven Joys of the Virgin (the latter dated 1554; both Zoutleeuw, St Leonard).
Related Paintings of Pieter Aertsen :. | Apostles Peter and John | Die Kochin | Butcher sale state with flight nacb Agypten | Market Scene | Market Scene | Related Artists:
Solon H. BorglumAmerican Sculptor, 1868-1922,was an American sculptor. Born in Ogden, Utah, he was the younger brother of Gutzon Borglum and uncle of Lincoln Borglum of Mount Rushmore fame. The son of Danish immigrants who settled on the great plains, Solon Borglum spent his early years as a rancher in western Nebraska. Though he later lived in Paris and New York and achieved a reputation as one of America's best sculptors, it was his depiction of frontier life, and especially his experience with cowboys and native American peoples, on which his reputation was founded. Borglum studied under Louis Rebisso in Cleveland and in Paris. He specialized in depicting people and scenes of the American West. He moved to the Silvermine neighborhood of New Canaan, Connecticut, where he helped found the "Knockers Club" of artists. His brother, Gutzon, lived in nearby Stamford,
PLEYDENWURFF, HansGerman Northern Renaissance Painter, 1420-1472
George earl1824-1908
1824-1908.was a painter, primarily of sporting dogs and other animals. He was also the father of Maud Earl and Percy Earl, and the brother of Thomas Earl, all three of whom were also animal artists. Earl was a keen sportsman and this is reflected in his work and reputation as a dog painter. He was also an early member of The Kennel Club. Although chiefly remembered as a canine artist due to his success depicting them